“…no thoughts within her head, but thoughts of joy! No dreams within her heart but dreams of love!” – The Phantom of the Opera
In most relationships, there’s always that tricky moment when you have to introduce your new love to your first (and usually former) love. This is exactly what I had to do yesterday. In my case, however, it wasn’t a situation where I wanted my current boyfriend, SS, to hate my first love and feel competitive. On the contrary, I still love my first love too, and so I desperately wanted them to get along and learn to love each other.
If you read Friday’s blog post, you’ll know what I’m talking about – my first love, the love I developed from childhood and have held onto for so many years, is not another person, but rather the music of Andrew Lloyd Webber’s musical The Phantom of the Opera. In Friday’s blog post, I detailed how truly important and formative the musical was for me, and how I continue to give it an extremely important place in my green heart.
So, naturally, when I brought SS with me yesterday to see the play, I knew that it was his first time ever encountering the story, the music, the characters, all of it, and I so badly wanted him to love it, to see in it exactly what I saw when I was a child. SS and I have similar taste in most things (except for graphic novels and Star Wars, really), so I was quite confident that he would find the play very interesting and intriguing. The problem was that I myself hadn’t seen the new production of POTO, complete with new and updated set designs, and I had no idea how the actors would portray my favourite roles…and, perhaps more importantly, if their voices would be adequate to make the music sound as perfect as I know it to be.
I’m happy to say that both SS and I were truly impressed by the whole production, and SS has been eagerly asking me questions about the story and expressing interest in seeing the musical again soon! 😀 YAY!
Let me start by saying that the new set was absolutely, beyond words INCREDIBLE! It was so unbelievably intricate, with this sort of spinning design that allowed for multiple different sets to be hidden all within the one stage. The set designers expertly recreated so many different rooms of my beloved Opéra Garnier: the Phantom’s lair was dark and sinister, but also full of candles, and luxurious burgundy and black fabrics, especially fitting to a Parisian style; the manager’s office was richly upholstered with gold and red hues; the roof of the opera house was complete with gold statues and even seemed to be delicately accented with a bit of snow. My favourite set had to be the one used during the Masquerade scene: the entire set was transformed into a room of mirrors, very similar to the one that can actually be found in the Opéra Garnier. There were golden statues all around, which reflected brilliantly in the mirrors, and it really brought me back to my time at the Opéra Garnier. I was so ridiculously impressed by how everything moved and operated to allow the actors to move effortlessly between the different parts of the set, and to allow my friend the Phantom to play tricks from above and below and all around.
So, the visual aspect of the play was a HUGE hit, especially with SS who is so interested in set design and has a very artistic nature. The chandelier was also newly designed, and it was sparkly and full of diamonds…and when it fell from the ceiling, with flashes of fire and light, it was truly dazzling! I admit, I missed the old design of my favourite chandelier, but the new one definitely got the job done as well!
And what of the actors who played my three most favourite roles? The entire cast was absolutely incredible (shout out to Carlotta and Piangi, as well as Messieurs Firmin and André, who were truly hilarious!), and the actors who played the Phantom (Chris Mann) and Raoul (Storm Lineberger) hit the notes exactly how I wanted them to – they evoked the exact feelings I was hoping for, and they played opposite each other really well. The audience really got the sense that the Phantom and Raoul are totally different men, each with something unique and intriguing to offer to their ingénue. The actress who played Christine was Celia Hottenstein at this performance, and she was excellent as well – she had a powerful but delicate and lovely voice, and she really shone during Think of Me and Wishing You Were Somehow Here Again. She perfectly nailed the combination of innocence and strength that is so crucial to Christine’s character, and I thought she looked very elegant in all of her incredible costumes!
Overall, I’d say that the production was a hit! Obviously, I have my favourite Phantoms (Colm Wilkinson forever and always, and recently Ramin Karimloo) and Christines (particularly Sierra Boggess, but also Rebecca Caine), and I will never stop hearing their voices when I play the famous songs in my head. But, every new production has a new cast of wonderful actors, and I was not disappointed with yesterday’s performances whatsoever! I was very impressed and so so pleased…and the main thing is that SS was moved and totally in awe of the whole production! I think he very quickly became a Phan!
And that’s all that matters to me, in the end! For the first time in my life, I allowed the man I love to experience and become acquainted with the music and story that has made me into the woman he loves. It was a risk, but it all went perfectly…and now, I will never have any passions or loves to hide from the man I hope to have beside me forever. As my #JNGListens quote from today suggests, there was so much love in that theatre last night for me, and all of my hopes and dreams were totally fulfilled!
With a full heart,
Girl with a Green Heart